First conceived in 2009 under the mentorship of Thomas Wee, this piece marks a return to one of our early explorations of East Asian aesthetics.
 
The moss green skirt is distinguished by its mandarin button and reimagined panel construction. The side panels are inspired by the iridescent beauty of Korean mother-of-pearl lacquerware, a rare fabric that catch light with quiet elegance.
 
Neither reproduction nor nostalgia, it is a conversation between past and present — a familiar form seen anew.